Most of the timbres it generates are so complex that approaching them with a classic analog modular setup would require a full case of oscillators, filters, VCAs, waveshapers and ring-modulators – that’s why we call it a macro-oscillator – intricate digital synthesis algorithms wrapped in oscillator’s clothes. $420 Excl GST
Ripples is a voltage-controlled filter. It provides 3 output modes: 2-pole band-pass, 2-pole low-pass and 4-pole low-pass. The filtering is achieved by a high-quality quad VCA. An OTA in the filter feedback path brings the resonance under voltage control, and also serves as a soft-limiter to ensure a clean self oscillation. Finally, a VCA allows the level of the 4-pole low-pass output to be modulated by a CV. This makes Ripples a good “final stage” module for a subtractive synthesis patch.
The tonal character of the filter is inspired by japanese classics from the 80s. $220 Excl GST
Edges is a module strictly focused on the straight lines, sharp edges, and clinical harsh modulations of digital logic. Its architecture is loosely based on classic 8-bit console soundchips, providing 4 simple voltage-controlled voices. Each voice consists of a digital oscillator with two pitch CV inputs and a coarse pitch knob, with a gate input allowing the voice to be turned on/off without the need for an external VCA. The 4 channels are sent to an onboard mixer – making Edges easy to use for chord generation or heavy drone synthesis applications. $350 Excl GST
Grids. Take the user interface of an euclidean sequencer, a healthy dose of machine learning and graph algorithms, megabytes of drum loops, hours of intensive computations and you’ve got a drum pattern generator like no other.
$250 Excl GST
Tides is all about waves that go up and down, from minute-long cycles to audio rates… This module is Mutable Instruments’ unique take on the looping AD envelope generator – pushing this well-known trope to unknown territories.
$304 Excl GST
1:3 is a 3-output buffered multiple, with an offset error < 0.1%
2:2 is a 2-input summer with unity gains. The sum of the two input channels is distributed to 2 outputs.
3:1 is a 3-input mixer with a gain of 1/3 for each channel (averager).
$94 Excl GST
The heart of Frames is a 4-channel analog VCA under tight digital control. Through flexible input/output mixing and normalling options, it can be patched to serve the following purposes (among others):
- 4-channel attenuator/VCA.
- 4-channel mixer.
- 4-channel programmable CV source.
- Quadraphonic signal dispatcher.
- $383 Excl GST
Yarns is a MIDI interface providing up to 4 channels of CV/Gate conversion, and providing some of the MIDI message processing features of Mutable Instruments’ MIDIpal, including arpeggiator, euclidean sequencer, and a SH-101 inspired step sequencer.
$383 Excl GST
Unlike granular sample players, Clouds is focused on the realtime granularization of incoming audio signals, and the acquisition of textures from them.
Classic controls such as grain position, size, and pitch are provided. Clouds can superimpose many grains simultaneously (at least 40, depending on the CPU used by its other features) and thus create thick textures. Control over texture density, independently of grain size, is thus provided. An external trigger input allows grains to be seeded in sync with LFOs or rhythmic generators. $390 Excl GST
Elements combines an exciter synthesis section generating raw, noisy sounds characteristic of bowing (filtered friction noise), blowing (pitch-controlled granular noise), or striking (stick, mallet, hammer or brush sample playback… or bursts of synthetic impulsions). These sources, or external audio signals, are processed by a modal filter bank – an ensemble of 64 tuned band-pass filters simulating the response of various resonant structures (plates, strings, tubes…) with adjustable brightness and damping. A stereo ambience reverberator adds depth and presence to the sound. $490 Excl GST
Shelves brings to Eurorack modular systems something we are all very familiar with: the 4-band parametric EQ typically found in console channel strips. But this time, there’s CV control! The first band is a low-pass shelving filter, the fourth band a high-pass shelving filter, and band #2 and #3 have full-blown parametric controls with bandwidth (Q) adjustment. All analog.
$385 Excl GST
Each channel consists of an analog voltage-controlled filter and amplifier (VCFA). The response curve of the amplifier section is continuously variable from exponential to linear. The amplifier gain is directly controllable from a CV input, through an attenuator. But what makes Streams truly unique is the multi-purpose EXCITE input. The signal routed to this input is analyzed by a micro-controller and translated into internal control voltages for the VCFA, turning Streams into a very versatile signal contouring tool:
$385 Excl GST
Shades provides 3 channels of audio/CV processing which can be configured either as active attenuators or as attenuverters.
A bicolor LED monitors the polarity and intensity of the audio or CV signal on each output.
$260 Excl GST
CVpal..We dreamt of a really simple DIY kit – so simple that it would allow beginners to enter the world of DIY with a big smile – and yet, interesting enough to be useful in any kind of Eurorack setup. That’s how the CVpal was born! The kit contains only 25 parts to solder; but is an incredibly useful tool allowing you to connect your computer or iPad/iPhone (with camera connection kit) to your modular system or (neo-)vintage analog equipment.
$200 Excl GST
Peaks is a dual-channel module – making it very useful for duophonic patches or for controlling/synthesizing the kick/snare rhythmic backbone of a patch. $290 Excl GST